But to see this gear he has in this episode is really special and truly stunning, and incredibly powerful. And that really speaks to our phenomenal LA crew and our incredible cast. "A theme to answering a lot of these questions is we're always just so thrilled that this is one of the only shows we've all worked on where it always comes out better than we were hoping. He had a couple of very small questions, and, of course, Ben and Deric, who wrote the episode, were on set for the whole time. I don't know that we talked a lot about it. "It's interesting-Ernie's such an incredible performer. Gero unpacked the preparation for the scene. We had a break scheduled, so we knew Episode 8 could film abroad. "Once we knew we had a second season, we designed it so that our mid-season finale, there would be a break, whether there was a strike or not. So Martin had come to this with a way to accomplish international production on a TV budget and on a TV schedule, which is really challenging. "Back when Martin created Blindspot, he started working with international companies, and I think Blindspot ended up in sixteen different countries during the run of it. He continued, describing the importance of using the location shoot to create authenticity. It's incredible! I don't know how they filmed pretty much everything that's supposed to be in Egypt, actually in Egypt." "Which pieces can you film in Cairo? Which pieces will film in LA? In our best estimate, we probably thought we could film, say, twenty-five percent of the episode in Egypt, and somehow, Chris and the gang fifty. When I was writing the script, designing it, knowing 'ok, we could probably film this piece in LA…' There's a bit of a checkerboard. "I was hoping there wouldn't be a strike so that I could go to Egypt.
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